Author Description

Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958-1971 is the first compilation of music drawn from this fabled collection, which indelibly documents a pivotal moment in African American history. It features never-before-heard performances not only from musicians who became icons in their own right-including Lightnin' Hopkins and Mance Lipscomb-but also, crucially, performers whose names may be unfamiliar to even the most devoted blues fans and scholars. Newly mastered recordings and accompanying photographs bring to life many of these forgotten figures: offering insight into their lives and illuminating in new, enlightening ways their joys and anguish, deep social connections, distinctive voices, and cultural networks. The collection spans gospels, ragtime, country blues dirges, the unclassifiable music of George "Bongo Joe" Coleman, and more, showing that no community, no matter how tight knit, is monolithic. Accompanying the music is a 128-page book, which contains breathtaking photographs by McCormick and his associates, as well as contextual essays by producers Jeff Place and John Troutman on McCormick's life, and by musicians Mark Puryear and Dom Flemons on some of the marginalized communities throughout "Greater Texas" to which McCormick devoted his life's work. This release is a partnership with the Smithsonian's National Museum of American History. Contains Six LPs