Author Description

This book constitutes a major reassessment of the mortuary remains from the two X-Group royal cemeteries at Qustul and Ballana in Lower Nubia (c. AD 380-500). Since their excavation more than seventy years ago, and the subsequent flooding of the sites following the building of the Aswan High Dam, and despite the spectacular nature of the finds, the sites have received remarkably little scholarly attention. This book offers the first interpretation of social life at these key sites, and proposes a series of innovative, theoretically informed frames for exploring the significance of the material remains found there. In doing so, it sheds new light on a culture which, although less well known than the Meroitic Empire that preceded it and the subsequent development of the Christian Kingdoms of the Sudan, is nevertheless of considerable archaeological and historical significance. The sites present a series of archaeologically unique monumental tumuli and multi-chambered tomb structures containing evidence of human and animal sacrifice, as well as a highly sophisticated material culture. The interpretations presented here draw on the emergent field of sensory archaeology to address the key issue of identity formation. It makes a case for the heretofore unrecognised significance of an 'aesthetic' identity mediated by material culture. It approaches X-Group culture as a materially complex indigenous culture that created and altered identities through time via the manipulation of materials, colours and patterns (the 'aesthetic' basis of identity). This study explores the relationships between humans, animals, and artefacts. It demonstrates how a less stable society, which based control on aggressive public displays, became a more stable state, as power was mediated by magico-ritual performances, festal occasions, and the rise of certain individuals. The interpretations put forward here are based on a systematic quantitative analysis of the archaeological material from the si