Author Description

Intro -- Introduction -- Catherine Laws -- Chapter 1 -- Austerity Measures I -- Performing the Discursive Voice -- David Gorton and Stefan Östersjö -- Part 1: Collaboration and the discursive voice -- Part 2: Analysing the discursive voice in performance -- Conclusions -- Chapter 2 -- Being a Player: -- Agency and Subjectivity in Player Piano -- Catherine Laws -- Part 1: Player Piano and Saying "I" -- Part 2: The Embodied Subject in Player Piano -- Part 3: Instrument as Agent -- Part 4: From Instrument to Ecology -- Postlude: "Alone With My Ten Fingers"? -- Chapter 3 -- Footnotes -- William Brooks, Stefan Östersjö, and Jeremy J. Wells -- Part 1 -- Part 2 -- Part 3 -- Chapter 4 -- Arrival Cities: Hanoi -- Nguyễn Thanh Thủy and Stefan Östersjö -- Arrival Cities: Hanoi -- 1. Introduction -- 2. Modes of collaboration -- 3. Documentary, empathy, and inter-subjectivity -- 4. The making of Arrival Cities: Hanoi -- 5. The discursive voice in intercultural collaboration -- Conclusion -- Catherine Laws -- References -- Index.