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College Art Association Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions - Honorable Mention "These innovative prints have been considered one of the most seminal series from the era. Tokaido Texts and Tales investigates the sources of the legends, folklore, and fictional stories told in these prints, and persuasively foregrounds the creativity of the printmakers."--Natsu Oyobe, associate curator of Asian art, University of Michigan Museum of Art "A wonderful addition to our growing knowledge and appreciation of ukiyo-e prints of the late Edo period."--Sarah E. Thompson, assistant curator for Japanese prints, Museum of Fine Arts, Boston Throughout the Edo period (1615-1868), the Tokaido was the most vital road in a network of highways across Japan. Connecting Edo (modern-day Tokyo) and Kyoto, the road and its fifty-three rest stations became a popular theme for artistic expression in a variety of mediums. The Tokaido gojusan tsui (Fifty-Three Pairings along the Tokaido Road), created in 1845, is one of the most well-known and fascinating examples of woodblock prints inspired by the road. Japan's three leading print designers of the nineteenth century--Kuniyoshi, Hiroshige, and Kunisada--paired each Tokaido rest station with an intriguing, cryptic design. Due to the harsh and punitive Tenpo-era reforms, which attempted to impose a strictly defined morality, prints of celebrity actors, courtesans, and entertainers were outlawed during this time. Crafted to outwit the artistic restrictions imposed by the reforms, the woodcuts in this series became popular visual puzzles that were frequently reproduced. Because of this ingenious approach to the Tokaido theme, which ultimately resulted in the creation of new types of art, the Tokaido gojusan tsui has been praised as one of the most innovative and important works from the late Edo period. This series w