Author Description

Iberian Music Research In The Twenty-first Century / Tess Knighton & Emilio Ros-fábregas -- Higini Anglès's Defense Of Medieval And Renaissance Sacred Music In Mid-20th Century Rome / E. Ros-fábregas -- Vocal Basis In Tientos By Luis Milán And Alonso Mudarra: Myth Or Reality? / Kateryna Schöning -- Problems Of Authenticity In The Works Of Tomás Luis De Victoria: Some Methodological Considerations / Stephanie Klauk -- A New Source Of Notre Dame Polyphony From Spain: The Manuscript Of Toledo, Biblioteca Capitular, 98-28 And Its Repertory / Santiago Galán Gómez -- Corpus Processionalum In Late Medieval Aragon: Manuscripts, Attributes And Special Features / David Andrés-fernández -- Multum In Parvo: A 1555 Morales Processional Partbook At Toledo Cathedral: Its Genesis, Use And Later History / Michael Noone & Graeme Skinner -- Music Books For An Iglesia Principal Y Calificada: The 1657 Inventory Of Jaén Cathedral In Context / Javier Marín López --^ A New Identity For The Medina Attribution In The Cancionero Musical De Palacio / Ángel Manuel Olmos -- Power, Erudition And Musical Patronage In The Sixteenth Century: The Borja Dynasty And The Dukedom Of Gandia / Ferrán Escrivà Llorca -- Light Of Spain, Light Of The World: Invoking St. James In Rudolfine Prague / Erika Supria Honisch -- Juan Bautista Comes And Conflicting Aims Of Church And State In Early Seventeenth-century Valencia / Greta J. Olson -- Before Retiring At The Close Of Day...; The Hymnary For Compline In The Escorial's Choirbook Collection / Juan Carlos Asensio -- A Fifteenth-century Plainchant Office By Hernando De Talavera To Commemorate The Battle Of Salado / Mercedes Castillo Ferreira -- Music And Ceremony In Granada Cathedral Following The Council Of Trent / Gonzalo Roldán -- Similarity And Contrast In The Cantigas De Santa Maria / Sarah Johnson --^ The Case Of The Disappearing Rests: A New Look At The Spanish In Seculum Hocket In Madrid, Biblioteca Nacional De España, Ms 20486 / Mary E. Wolins