Author Description

Hartley On Hartley And The Stieglitz Circle (1914-1941). 1914 Catalogue Statement, 291 (photo-secession Galleries); What Is 291? (1915); A Word (1916); 1916 Catalogue Statement, 291 (photo-secession Galleries); Dissertation On Modern Painting (1921); Art--and The Personal Life (1928); The Mountain And The Reconstruction (1928); The Recent Paintings Of John Marin (1928); 291--and The Brass Bowl (1934); George Grosz At An American Place (1935); Farewell, Charles (1935); Georgia O'keeffe (1936); An Outline In Portraiture Of Self (1936); On The Subject Of Nativeness--a Tribute To Maine (1937); Pictures (1941) -- From Varied Patterns (1923-29). Arezzo And Piero (c. 1923); Rome And The Ultimate Splendour (c. 1923); Decline In French Art; Max Ernst (1928); Paul Klee (1929); Picabia--arch-esthete (1929); Impressions Of Provence; Toulouse-lautree At Albi (c. 1929); The Ingres Museum At Montauban (c. 1929); St. Thérèse Of Lisieux (1929-31) -- Europe And America (1930-1943). Eakins, Homer, Ryder (1930); Copley's Americanism (c. 1930); Wm. M. Harnett, Painter Of Realism; Mark Tobey (1931); American Primitives (1930-31); John Kane Of Pittsburgh (c. 1935); Is There An American Art? (c. 1938); On The Persistence Of The Imagination--the Painting Of Milton Avery (1938); Salutations For The Pictures Of Leon Hartl (1938); Gauguin--for The Last Time (c. 1937); Georges Rouault (c. 1937); Jacob Epstein's Adam (1940); Roger De La Fresnaye (c. 1942); Some Words On Piero And Masaccio; Posing For Lipchitz (c. 1942-43) -- From The Spangle Of Existence (1935-1942). Memling Portraits (1939); Mary With The Child--of Leonardo, (1939); George Fuller (1937); John James Audubon, As Artist; Ablution; Albert Pinkham Ryder (1936); And The Nude Has Descended The Staircase (1937); Georges (dumesnil) De La Tour (1936); The Drawings Of Carl Sprinchorn (c. 1937); Thinking Of Gaston Lachaise (c. 1937); The Element Of Absolutism In Leonardo's Drawings. By Marsden