Author Description

Cover -- Title -- Copyright -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Part 1: Crafting Theoretical Frameworks from Beyond the US Borders -- Photo Performance: Violeta Luna -- The Liminal as Contitutive of the Theatrical Event: Jorge Dubatti -- Communitas of Pain: Ileana Dieguez -- Crisis, Tension, and Freedom: Patricio Vallejo Aristizabal -- A Personal Map: Gustavo Ott -- Part 2: Rethinking Histories of Geography -- Remapping Bogota: Gad Guterman -- To Imagine a Nuevomexicano Theatre History: Brian Eugenio Herrera -- Radical Exposure: Diana Taylor -- Searching for Home in all the Wrong Places: Migdalia Cruz -- The Ambiguity of a Country that does not Think: Diego La Hoz -- Siempre Norteada: Virginia Grise -- Part 3: The Historical Body -- Minstrels of Empire: Katherine Zien -- Conquering a Territory, Occupying the Stage: Carlos Cortez Minchillo -- Fom my Universal Village: Conchi Leon -- Repositioning Migration: Debra A Castillo -- The Power of Space: Elaine Romero -- Part 4: Rewriting the Nation -- Modernity in Crisis: Beatriz J Rizk -- Experiences from th Center of Abya Yala: Roxana Avila Harper -- Contemporary and Andean Authorship: Diego Aramburo -- The Flight of the Golden Falcon: Ana Correa -- Cabaret as a New Muralism: Astrid Hadad -- Cuba: Eberto Garcia Abreu -- Part 5: Theatre in Motion -- Breaking the North-South Paradigm: Claudio Valdes Kuri -- Buenos Aires Artists and Contemporary Transnational Performance Networks: Jean Grahm-Jones -- Zoot Suit in Mexico City: Alma Martinez -- Latina Performance North and Transnational Acciones against Feminicide in the Americas: Natalie Alvarez -- Inner Dance, OuterJoy, Autology, a Route: Josefina Baez -- The Geopolitical Challenges of Directing Bilingual Playes: From the Mainstream to the Streets: Jorge Huerta -- Notes from a Geographer Manque: Guillermo Verdecchia