Author Description

Most books dealing with the history of the organ have confined themselves to a single period, area, or even country. This invaluable new work is the first complete survey of the organ ever to have been made in any language. Williams firmly bases his interpretations and judgment on extant documents whenever possible, on his practical experience in playing organs all over Europe, and on his close examination of a great variety of instruments at different stages of restoration or transformation. Eight chapters are devoted to the early period and four to the Renaissance. Then individual chapters consider the French classical organ, the organ of Bach, the Spanish baroque organ, the Italian baroque organ, the English organ before 1800, and the northern European organ. The final eight chapters discuss developments in the 19th and 20th centuries. Supplementing the text are a glossary and plates illustrating a full range of organs that are typical of their kind. The eminent English musicologist, organist, and harpsichordist, Peter (Fredric) Williams was educated at St. John's College, Cambridge (BA, 1958; Mus.B., 1959; MA, 1962; Ph.D., 1963). In 1962 he joined the faculty of the University of Edinburgh where he held the first chair in performance practice in the UK. In 1985 he was made Arts and Sciences Distinguished Professor at Duke University where he was chairman of the music department (1985-1988), university organist (1985-1990), and director of the graduate center for performance practice studies (from 1990). As a performing artist, Williams made appearances as a recitalist from 1965. As a scholar, he ranks among the foremost authorities on the organ. In addition to his books and articles, he has served as general editor of the series Biblioteca Organologica and as founding editor of The Organ Yearbook. He is also general editor of Cambridge Studies in Performance Practice and of the Duke University series Sources and Interpretation of Music.