Author Description

Writing For The Body: Notation, Reconstruction, And Reinvention In Dance -- History/theory: Criticism/practice -- From Croce's Critical Condition To The Choreographic Public Sphere -- Splintered Encounters: The Critical Reception Of William Forsythe In The United States, 1979-1989 -- Archeological Choreographic Practices: Foucault And Forsythe -- Figurae: Re-translating The Encounter Between Peter Welz, William Forsythe And Francis Bacon -- Dance And Figurability -- Can We Inhabit A Dance? Reflections On Dancing The Bauhaus Dances In Dessau -- The Readymade As Movement: Cunningham, Duchamp, And Nam June Paik's Two Merces -- Dance As Sign And Unruly Corporeality In Pasolini's Film And Theory -- The Dancing Gaze Across Cultures: Kazuo Ohno's Admiring La Argentina -- Bausch And The Symptom -- The Quarrel Of The Queen And The Transvestite: Sexuality, Class And Subculture In Paris Is Burning -- Dance, The De-materialization Of Labor, And The Productivity Of The Corporeal -- In The Company Of Donya Feuer: An Interdisciplinary Method -- In Conversation: Alessandra Nicifero With Mark Franko. Edited By Mark Frano With Alessandra Nicifero. Includes Bibliographical References And Index. Electronic Reproduction. London Available Via World Wide Web.