Author Description

<p>Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state.</p><p>The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer.</p><p>The book includes: </p><ul> <p> </p> <li>A list of supplies and equipment</li> <p> </p> <li>A detailed chemical glossary</li> <p> </p> <li>A Quick-start section in the Preface</li> <p> </p> <li>Summary sheets and workflows for each step of the process</li> <p> </p> <li>Instructions for making traditional negatives with Pyro PMK and digital negatives</li> <p> </p> <li>Explanation of the chemistry and dynamics of paper, and how to use buffered papers</li> <p> </p> <li>Instructions for controlling hydration processes and humidity</li> <p> </p> <li>Instructions for preparing each chemical solution needed for the process</li> <p> </p> <li>Discussion about the aesthetics of the platinum/palladium print</li> <p> </p> <li>Explanation of the relationships between light, image, and expression </li> <p> </p> <li>A detailed troubleshooting list</li> <p> </p> <li>Recommendations from conservators about processing, handling, and conservation