Author Description

An unpublished photographic essay by filmmaker and photographer Murilo Salles (Brazil 1950). For five years, after photographing film "Dona Flor e seus dois Maridos" and already considered one of the most talented photographers of Brazilian cinema, at the age of 25, Murilo went and photographed the street with his Nikon F2 in tow. "Murilo Salles was already a cinematographer when he decided that his Nikon would be an inseparable part of his body during his trips to Europe, Africa and Brazil." --Page [40].