
Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
How does the practice of improvisation function as a foundational, cross-disciplinary mechanism within human activity and environmental engagement? Editors Benjamin Piekut and George E. Lewis curate an expansive collection of scholarly inquiries that examine improvisation not merely as an aesthetic choice, but as a critical mode of existence. By synthesizing contributions from over sixty experts across diverse fields such as neuroscience, architecture, and sociology, the volume establishes a rigorous framework for understanding the spontaneous and adaptive nature of human systems.
What You Will Find
Scope Limits
Scholars and academics frequently identify this work as a definitive, foundational resource for the study of improvisation across the humanities and sciences. Readers often note the significant academic density of the prose, which is intended for researchers and advanced students in the field.
Page Count:
600
Publication Date:
2016-01-01
ISBN-10:
0190627972
ISBN-13:
9780190627973
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