Author Description

"The gallery's first presentation dedicated to Close's work since the artist's death in 2021, this show will feature a selection of paintings, photographs, and works on paper-- most of which have never been exhibited before--that reflect Close's significant contributions to the history of art. Since it began representing Close in 1977, Pace has exhibited each new body of his work, and this upcoming presentation will complete that cycle. The exhibition will be accompanied by a catalogue featuring a previously unpublished 2018 interview between Close and the artist Cindy Sherman--originally commissioned by The Brooklyn Rail--as well as a new critical essay by Carter Ratcliff, which considers Close's final works in depth. These texts will appear alongside an essay by Barbara Knappmeyer that examines the artist's renderings of the face in the context of facial recognition technology. Since the 1970s, Close has been known for his innovative approach to conceptual portraiture, systematically transposing his subjects' likenesses from photographs into gridded paintings. Over the course of five decades, his work challenged conventional modes of representation across a wide range of media, including various forms of painting, printmaking, drawing, collage, daguerreotypes, Polaroid photography, and tapestry. The artist posed a radical proposition with his approach to painting, going against the grain of art world trends during the late 1960s and 1970s, when Minimalism, abstraction, and seriality were dominant, and portraiture and photorealism were largely overlooked." -- Gallery website.