
Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths John Sutherland and Cedric Watts Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?'As Watts and Sutherland explore these and other puzzles Shakespeare's genuius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, Star Trek and much else. Shrewd and entertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare.
This book investigates whether the apparent inconsistencies, logical gaps, and unanswered questions within Shakespeare's plays are intentional artistic choices or accidental oversights. Authors Cedric Watts and John Sutherland, both established scholars in English literature, apply the methodology of literary detective work to analyze specific textual anomalies. They argue that these puzzles do not diminish the quality of the works but rather highlight the complexity and enduring nature of Shakespeare's dramatic construction.
What You Will Find
Scope Limits
Critics and scholars frequently note that the prose is accessible and avoids overly dense academic jargon, making it suitable for both students and general readers. Experts highlight this as a creative approach to literary analysis that encourages a more active and inquisitive engagement with the source material.
Page Count:
240
Publication Date:
2000-06-22
ISBN-10:
0192838792
ISBN-13:
9780192838797
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