This volume investigates the structural and aesthetic evolution of the concerto form through detailed analytical commentary on specific masterworks. Sir Donald Francis Tovey, a renowned composer and musicologist, utilizes his deep technical knowledge of orchestral scores to deconstruct the thematic development and harmonic logic of major concertos. He argues that understanding the formal architecture of these pieces is essential for both the performer and the informed listener to grasp the composer's intent.

Musicologists and students of music theory frequently cite Tovey's work as a foundational text for formal analysis. Readers often note the academic density of the prose, which assumes a high level of musical literacy and familiarity with score reading.