
For many centuries a vast range of medieval music has remained unknown and unperformed. In recent times the labour of scholars has made the repertory once again available; performers have responded by showing that this music is not of historical interest only, but truly alive, moving and delightful. Here is a comprehensive new anthology which embodies these discoveries. This volume contains 106 complete pieces. They have been carefully selected to present musical development over nearly a thousand years. At the same time they are real music, well worth performance. They range in length from brief dances to a complete Mass according to the Use of Salisbury and The Play of Herod. In spite of their high quality few of the items will be familiar, and all but a handful have been freshly edited for this anthology. Each work has its own commentary. Texts are in the original languages, but translations are provided in all cases.
This anthology investigates the breadth and vitality of medieval musical composition, arguing that these works possess enduring aesthetic value beyond their historical significance. The authors, Nicholas Sandon and W. Thomas Marrocco, utilize their expertise in musicology to curate a collection that bridges the gap between academic research and active performance.
What You Will Find
Scope Limits
Experts and musicologists frequently cite this anthology as a vital resource for accessing previously obscure medieval repertory. The text is noted for its balance of scholarly rigor and practical utility for performers seeking to revive historical compositions.
Page Count:
240
Publication Date:
1977-08-25
Publisher:
Oxford University Press
ISBN-10:
0193232073
ISBN-13:
9780193232075
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