This collection investigates the cultural significance and historical evolution of Trinidadian calypso music as a primary vehicle for Caribbean identity and storytelling. Edric Connor, a prominent folklorist and performer, compiles these songs to preserve the oral traditions of his homeland. The work serves as both an anthology of musical compositions and a documentation of the social conditions and rhythmic structures prevalent in early 20th-century Trinidad. By presenting these lyrics and melodies, the author argues for the recognition of calypso as a sophisticated form of cultural expression.

Scholars and music historians frequently cite this collection as a foundational resource for understanding the early international dissemination of Caribbean folk music. Experts note that the text provides a valuable primary source perspective on the intersection of performance art and cultural preservation during the mid-20th century.