This work investigates the rhythmic and sonic potential of the drum through a five-section choral cantata. Composer Bob Chilcott utilizes a specific arrangement of SATB voices and percussion to explore the thematic concept of the drum as a living, breathing entity. The composition serves as a technical framework for choral ensembles to integrate vocal performance with instrumental percussion elements.

Musical directors and choral conductors frequently identify this piece as a highly effective and rhythmically engaging work for performance. Experts note that the requirement for chorus members to manage their own percussion parts adds a unique layer of coordination to the ensemble's technical execution.