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Sentinels was written for the Brodsky Quartet and John Metcalfe. An unusual feature of the Brodskys' performances is that with the exception of the 'cellist, they play standing up; Butler imagined the four standing players to be acting as sentries, standing guard, keeping watch over the seated 'cellist - hence the title. A friend pointed him in the direction of the opening scene of Hamlet - with its sentries, its sinister and slightly surreal atmosphere, its ghost, its uncertainty and apprehensiveness - and the flavour of the piece was fixed. The piece is really a long, unrelenting march whose pulse never slackens or quickens, and in which slightly quirky military-style gestures are almost always present.Sentinels was written for the Brodsky Quartet and John Metcalfe and first performed by the Brodsky Quartet and John Metcalfe (viola) on 23 May 2006, at the Royal Pavilion, Brighton.
This work investigates the compositional intent and structural inspiration behind Martin Butler's musical piece, Sentinels. The author details the specific performance requirements of the Brodsky Quartet and John Metcalfe, explaining how the physical arrangement of the musicians influenced the thematic development of the composition. By drawing parallels to the opening scene of Shakespeare's Hamlet, the text establishes a framework for understanding the piece's military-style motifs and persistent, unrelenting rhythmic pulse.
What You Will Find
Scope Limits
Experts and music historians view this documentation as a vital resource for understanding the intersection of physical performance art and contemporary classical composition. Readers frequently note that the text provides necessary clarity on the composer's specific intent, which is essential for interpreting the work's unique rhythmic and atmospheric qualities.
Page Count:
28
Publication Date:
2007-09-13
Publisher:
Oxford University Press Music
ISBN-10:
0193356724
ISBN-13:
9780193356726
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