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for SSATB & piano or string orchestraThe Shipping Forecast is in 3 movements: 'Donegal', 'They that go down to the sea in ships', and 'Naming'. The first and last movement are settings of poems by the poet, broadcaster, and academic, Seán Street. In 'Donegal' snatches of the shipping forecast (spoken) are woven into the atmospheric texture of the poem. The second movement is a setting of the Psalm 107: 23-26 | 28-29: 'They that go down to the sea in ships'. The setting has the feel of a Celtic lullaby, moving from a simple statement to a centre of turmoil then back to overlapping phrases, melting into tranquillity at the end. In the final movement, 'Naming', the text becomes 'a meditation on the fortunes of the sea as reflected in other names, gathered from coastal maps of Newfoundland'. Energetic, in perpetual motion and rhythmic, 'Naming' drives the whole work to an upbeat finish.
This work investigates the intersection of maritime tradition, liturgical text, and geographical nomenclature through the medium of choral composition. Composer Cecilia McDowall utilizes a tripartite structure to explore the cultural and physical resonance of the sea. By integrating spoken word, biblical verse, and poetic meditation, the piece constructs a sonic representation of coastal life and the inherent volatility of the ocean.
What You Will Find
Scope Limits
Experts identify this composition as a sophisticated example of contemporary choral writing that effectively balances atmospheric texture with rhythmic complexity. Performers and conductors frequently note the work's technical demands, particularly in the coordination of spoken and sung elements.
Page Count:
36
Publication Date:
2011-09-29
Publisher:
Oxford University Press Music
ISBN-10:
0193379724
ISBN-13:
9780193379725
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