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This cantata was adapted by the composer from music from his opera Sir John in Love. Comprising five choral songs, it features texts by Shakespeare (from 'Much Ado About Nothing') and his near contemporaries Thomas Ravenscroft, John Lyly, and Thomas Campion. The first song is a gleeful denunciation of men and their devious ways, scored for women's voices, while the second is a rollicking drinking song for men's voices. The third maintains this energy, with sparkling orchestration to evoke the 'fairies' of its title, before the 'Wedding Chorus' changes the mood to one of blissful tranquillity. The Epilogue is celebratory and grand, bringing the cantata to a powerful close. All of the songs except the third are available individually.
This work investigates the adaptation of operatic material into a cohesive five-part choral cantata suitable for concert performance. Ralph Vaughan Williams, a prominent 20th-century British composer, utilizes his own operatic score from Sir John in Love to construct this vocal arrangement. The framework relies on the integration of Shakespearean and Elizabethan-era poetry to provide a thematic structure for the choral movements.
What You Will Find
Scope Limits
Musicologists and choral directors frequently identify this work as a significant example of Vaughan Williams's ability to repurpose operatic themes for smaller-scale choral ensembles. Experts highlight the score as a standard resource for choirs seeking to perform accessible yet technically nuanced English choral music.
Page Count:
56
Publication Date:
1969-03-31
Publisher:
Oxford University Press
ISBN-10:
019339121X
ISBN-13:
9780193391215
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