
for SATB, piano, and optional saxophone, bass, and drum kitOphelia, Caliban, and Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett, each of the three movements focuses in on Ophelia from Hamlet and Caliban and Miranda from The Tempest. In the funky opener, 'River Bride', the upper voices take the part of Ophelia, while the tenors and basses play a lover figure. Caliban's song, 'Ariel taught me how to play', is a reflective ballad in which the slave tells Miranda, who has escaped his advances, about the spirit helper Ariel teaching him to play the saxophone. The final movement, 'All good things come to an end', is a sassy yet tender number, where Miranda bids farewell to her beloved husband Ferdinand, declaring: 'I've gone back to the island to remember who I am'. The saxophone, bass, piano, and drum kit parts may be played as written or serve as a guide.
This work investigates the intersection of Shakespearean character archetypes and contemporary jazz musical structures through a three-movement choral composition. Composer Bob Chilcott utilizes newly written texts by Charles Bennett to recontextualize the figures of Ophelia, Caliban, and Miranda. The work provides a structural framework for SATB choir accompanied by piano, saxophone, bass, and drum kit, aiming to bridge classical choral traditions with modern jazz idioms.
What You Will Find
Scope Limits
Musicians and choral directors frequently identify this piece as a versatile addition to contemporary choral repertoires that require a blend of classical and jazz sensibilities. Experts highlight the flexibility of the instrumental parts as a practical feature for ensembles with varying levels of access to professional jazz musicians.
Page Count:
12
Publication Date:
2016-06-30
Publisher:
Oxford University Press Music
ISBN-10:
0193412721
ISBN-13:
9780193412729
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