This collection investigates the historical development and performance practices of European carols composed prior to 1750. Editors Andrew Parrott and Hugh Keyte draw upon their extensive research for the New Oxford Book of Carols to curate a selection of works suitable for SATB ensembles. The volume provides a scholarly framework that bridges the gap between historical musicology and practical choral performance.

Experts and choral directors frequently identify this collection as a reliable resource for authentic early music performance. The inclusion of scholarly notes alongside practical arrangements makes it a standard reference for ensembles seeking historical accuracy in their repertoire.