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Product Description for solo organ This virtuoso showpiece, dating from 2002, is worthy to stand alongside the Toccatas of Gigout and Boëllmann, and makes a superb conclusion to a service or recital on any size of organ. Its harmonic language is strongly tonal, but enlivened along the way by spicy touches, while its near-constantsemiquaver motion lends it a breathless rhythmic drive. About the Author Gerre Hancock studied at the University of Texas, the Sorbonne, and the Union Theological Seminary, New York, with teachers including Jean Langlais and Nadia Boulanger. He held church appointments at St Bartholomew's, New York, Christ Church Cathedral, Cincinnati, and St Thomas's, Fifth Avenue, New York, where he achieved international acclaim as Organist and Master of Choristers from 1971 to 2004. Widely active as a recitalist, conductor, and composer, he was also on the faculty at the Juilliard School and Yale University. His renown as an improviser at the organ led to the publication of his textbook, Improvising: How to Master the Art.
This work serves as a high-level technical composition for solo organ, designed to function as a virtuosic concluding piece for liturgical services or formal recitals. The author, Gerre Hancock, brings extensive expertise as a renowned organist, conductor, and educator, having held prestigious positions at St. Thomas's, Fifth Avenue, and faculty roles at Juilliard and Yale. The composition utilizes a tonal harmonic framework, incorporating complex rhythmic structures to challenge the performer's technical proficiency.
What You Will Find
Experts and organists frequently categorize this work as a standard-setting piece within the modern repertoire, often comparing its structural integrity to the works of Gigout and Boëllmann. Performers note the high degree of technical demand required to maintain the consistent semiquaver motion throughout the composition.
Page Count:
16
Publication Date:
2021-11-04
Publisher:
Oxford University Press
ISBN-10:
0193556766
ISBN-13:
9780193556768
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