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Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.
This study score investigates the structural and harmonic evolution of the traditional English folk song 'Dives and Lazarus' through the lens of Ralph Vaughan Williams's orchestral arrangement. The composer, a central figure in 20th-century British music, utilizes his extensive collection of folk melodies to create a work that balances traditional modal tonalities with his signature lush string orchestration. By presenting five distinct variants, the score serves as an exploration of how folk motifs can be transformed into complex, symphonic textures while maintaining their original character.
What You Will Find
Musicologists and conductors frequently cite this work as a quintessential example of Vaughan Williams's mastery of English pastoralism and modal harmony. Experts highlight this study score as a foundational resource for students of orchestration and those interested in the preservation of folk traditions within classical performance.
Page Count:
20
Publication Date:
1992-08-20
Publisher:
Oxford University Press
ISBN-10:
0193690802
ISBN-13:
9780193690806
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