This facsimile edition investigates the formal structure and stylistic nuances of J.C. Bach's Opus XVII keyboard sonatas through the preservation of original 18th-century notation. Christopher Hogwood, a renowned musicologist and conductor, provides an introduction that contextualizes these works within the broader landscape of the galant style. The volume serves as both a historical record and a practical resource for performers seeking to interpret Bach's compositions using period-accurate source material.

Experts and music historians frequently cite this facsimile as a standard reference for performers interested in historically informed performance practice. The clarity of the reproduction makes it a preferred choice for both academic study and practical application at the keyboard.