
Chief Inspector Morse is drinking a pint of beer. He is thinking about an attractive woman who lives not far away. The woman he is thinking of is hanging, dead, from the ceiling of her kitchen. On the floor lies a chair, almost two metres away from the woman's feet. Chief Inspector Morse finishes his pint, and orders another. Perhaps he will visit Anne, after all. But he is in no particular hurry. Meanwhile, Anne is still hanging in her kitchen, waiting for the police to come and cut her down. She is in no hurry, either.
Chief Inspector Morse faces a macabre discovery when a woman is found hanging in her kitchen, yet his detached reaction suggests a complex history between the investigator and the victim. Morse must navigate the logical constraints of a suspicious suicide scene where the physical evidence, specifically the placement of a chair, contradicts the nature of the death. The narrative framework employs a third-person perspective that emphasizes the internal state of the protagonist, contrasting his methodical, often lethargic approach to police work with the urgency of the crime. As Morse contemplates his next move, the story examines the intersection of personal obsession and professional duty within the confines of a traditional British mystery setting.
Readers frequently highlight the dry wit and intellectual depth that define the Morse series. Discussion often centers on the protagonist's unconventional methods and his tendency to prioritize personal reflection over immediate police procedure. Critics observe that the pacing is deliberate, allowing for a thorough exploration of the environment and the internal life of the lead investigator. The balance between the grim nature of the crime and the protagonist's detached, contemplative personality remains a primary point of interest for fans of the genre.
Page Count:
128
Publication Date:
2000-03-23
Publisher:
Oxford University Press España, S.A.
ISBN-10:
0194230619
ISBN-13:
9780194230612
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