This book investigates the role of art and architecture in a technologically advanced society and its impact on the human environment. Maxwell Fry, a distinguished architect, presents a critical examination of contemporary life, drawing from his 1968 Royal Academy lectures. He argues for art as a fundamental necessity, not merely a byproduct of existence, and explores themes ranging from the instinctual and emotional foundations of architecture to the societal shifts before and after World War II. The book posits an alternative to technocracy, emphasizing the crucial integration of artistic principles in solving environmental and societal problems.

Originally published in 1969, this work by Maxwell Fry offers a perspective on the intersection of art, architecture, and technology that was relevant to its time. The book's foundation in lectures suggests a structured and potentially didactic approach to its subject matter. Its re-publication indicates a continued interest in Fry's architectural philosophy and his views on societal development and environmental concerns. The text likely appeals to students and professionals in architecture and art history, as well as general readers interested in the cultural and societal implications of technological advancement.