Author Description

Pp. xxiv, 200; 10 full page color plates, 103 text-figures (line-drawings and some black-and-white photographs). Publisher's original black cloth, letter in gilt on the spine, color pictorial dust jacket, lg. 8vo. "Pictorial reconstructions of ancient human ancestors have twin purposes: to make sense of shared ancestry and to bring prehistory to life. Stephanie Moser analyzes the close relationship between representations of the past and theories about human evolution, showing how this relationship existed even before a scientific understanding of human origins developed. How did mythological, religious and historically inspired visions of the past, in existence for centuries, shape this understanding? Moser treats images as primary documents, and her book is illustrated with more than 80 engravings, paintings, photographs and reconstructions. In surveying the iconography of prehistory, Moser explores visions of human creation that were produced during the Renaissance. She looks closely at the first scientific reconstructions of the 19th century, which dramatized and made comprehensible the Darwinian theory of human descent from apes. She considers, as well, the impact of reconstructions on popular literature in Europe and North America, showing that early visualizations of prehistory retained a firm hold on the imagination -- a hold that archaeologists and anthropologists have found difficult to shake" (quote taken from the front jacket flap). The foreword is by archaeologist Clive Gamble. Small signature of former owner on the front endpaper.