
It could be said that when he commenced publishing his Latent Image column in the Village Voice in May 1968, A.D. Coleman invented the concept of the photography critic. With that first essay, which opens this classic collection of his early writings, Coleman introduced the idea that photography as a medium merited the full-time attention of a working critic. From then until now, he has steadfastly exemplified the complex possibilities of such a role within our photographic culture. Considered essential reading for all students of the medium since it was published in 1979, this selection of more than eighty of Coleman's essays charts the medium's dramatic evolution during an explosive period in its history, and simultaneously tracks his own exploration of the diverse functions inherent in his chosen task as a "public critic." this new edition includes four additional essays, among them his provocative observations on John Szarkowski and Susan Sontag. Widely and favorably reviewed when it first appeared, Light Readings has since become a standard reference work on the medium and a frequently assigned classroom text. It remains the single best first-person chronicle of the years that it covers.
This collection investigates the emergence of photography criticism as a legitimate, full-time professional discipline during a period of rapid artistic and cultural transition. Author A.D. Coleman, a pioneering voice in the field, utilizes his foundational work from the Village Voice to establish a framework for evaluating photography as a distinct medium. By documenting his own development as a public critic, he argues that the medium requires rigorous, ongoing intellectual engagement rather than mere aesthetic appreciation. The text serves as both a historical record of the medium's evolution and a theoretical manual for the practice of criticism.
What You Will Find
Experts and educators frequently identify this work as a foundational text for students of photography and media studies. Readers often note the historical significance of the prose, which captures the intellectual climate of a transformative decade in photographic history.
Page Count:
283
Publication Date:
1979-01-01
Publisher:
Oxford University Press
ISBN-10:
0195025164
ISBN-13:
9780195025163
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