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In this evocative book, Michelangelo Antonioni, one of the world's greatest directors, gives us a rare glimpse inside the creative mind. "My thoughts are always about film," he says, and here he has written thirty-three richly suggestive pieces elaborating ideas for films as yet unproduced.Beautifully translated by William Arrowsmith, That Bowling Alley on the Tiber reveals a master of cinema in a new role--that of an accomplished and sensitive writer."Plangent, haunting and refreshingly tough-minded...[Antonioni] is asking the questions that every serious film maker will have to ask if the cinema is ever to prove as hospitable to ideas as it is to the great god Action."--The New York Times Book Review"These writings, like his films, pair luminous landscapes with ethereal tales....These are clearly working notes, and they are as interesting for their analysis of the director's methods as for their literary content."--Library JournalAbout the Author and Translator:Michelangelo Antonioni has gained an international following with such films as L'Avventura, La notte, Blow-up and The Passenger.William Arrowsmith is Robert W. Woodruff Professor of Classics and Comparative Literature at Emory University.BLWinner of a major Italian literary award
This collection investigates the intersection of cinematic vision and literary expression by presenting thirty-three unproduced film concepts from the mind of a renowned director. Michelangelo Antonioni, a seminal figure in international cinema, utilizes these writings to articulate the philosophical and aesthetic foundations of his creative process. By documenting ideas that never reached the screen, he provides a framework for understanding the transition from abstract thought to visual narrative in modern filmmaking.
What You Will Find
Critics and scholars frequently identify this work as a vital resource for understanding the intellectual rigor behind Antonioni's filmography. Experts highlight the text as a foundational look at the director's creative methods, noting that the prose maintains the same atmospheric quality found in his visual works.
Page Count:
236
Publication Date:
1987-01-08
Publisher:
Oxford University Press
ISBN-10:
0195042247
ISBN-13:
9780195042245
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