"Ten geleide", Herman Roodenburg"Being the Cout of Nassau: Refiguring Identity in Space, Time and Stone", Ethan M. Kavaler"'His Majesty's Most Majestic Room': The Division of Sovereign Identity in Philip II of Spain's Lost Portrait Gallery at El Pardo", J. Woodall"'Self-Imaging and the Engraver's virtù: Hendrick Goltzius's Pietàof 1598'", Walter S. Melion"'Eene der deftigsten dragten': The Iconography of the Tabbaard and the Sense of Tradition in Dutch Seventeenth-century Portraiture", Marieke de Winkel"Civic Guard Portraits: Private Interests and the Public Sphere", Ann Jensen Adams"Regenten in het zwart: vroom en deftig?", Irene Groeneweg"The Beholder as Work of Art: A Study in the Location of Value in Seventeenth-Century Flemish Painting", Elizabeth Honig"Jan Steen, Frans Hals, and the Edges of Portraiture", Mariët Westermann"'Met een wenende ziel... doch droge ogen': Women Holding Handkerchiefs in Seventeenth-Century Dutch Portraits", Stephanie S. Dickey"Jan Steen as Family Man: Self-Portrayal as an Experiental Mode of Painting", H. Perry Chapman"Young Women Preferred White to Brown: Some Remarks on Nicolaes Maes and the Cultural Context of Late Seventeenth-Century Dutch Portraiture", Wayne Franits"'Welstand' en 'wellevendheid'. Over houdingen, gebaren en gelaatsuitdrukking in de schilderkunst, de toneelkunst en de rhetorica: de inbreng van het classicisme, Herman Roodenburg