Author Description

If we could see in a magic mirror the country now called Scotland as it was when the Romans under Agricola (81 A.D.) crossed the Border, we should recognise little but the familiar hills and mountains. The rivers, in the plains, overflowed their present banks; dense forests of oak and pine, haunted by great red deer, elks, and boars, covered land that has long been arable. There were lakes and lagoons where for centuries there have been fields of corn. On the oldest sites of our towns were groups of huts made of clay and wattle, and dominated, perhaps, by the large stockaded house of the tribal prince. In the lochs, natural islands, or artificial islets made of piles (crannogs), afforded standing-ground and protection to villages, if indeed these lake-dwellings are earlier in Scotland than the age of war that followed the withdrawal of the Romans. The natives were far beyond the savage stage of culture. They lived in an age of iron tools and weapons and of wheeled vehicles; and were in what is called the Late Celtic condition of art and culture, familiar to us from beautiful objects in bronze work, more commonly found in Ireland than in Scotland, and from the oldest Irish romances and poems. In these "epics" the manners much resemble those described by Homer. Like his heroes, the men in the Cuchullain sagas fight from light chariots, drawn by two ponies, and we know that so fought the tribes in Scotland encountered by Agricola the Roman General (8185 A.D.) It is even said in the Irish epics that Cuchullain learned his chariotry in Alba--that is, in our Scotland. {2} The warriors had "mighty limbs and flaming hair," says Tacitus. Their weapons were heavy iron swords, in bronze sheaths beautifully decorated, and iron-headed spears; they had large round bronze-studded shields, and battle-axes. The dress consisted of two upper garments: first, the smock, of linen or other fabric--in battle, often of tanned hides of animals,--and the mantle, or plaid, with its brooch. Go