This book explores the artistic contributions and thematic concerns of contemporary artist Kehinde Wiley, focusing on his distinctive approach to portraiture. Through a collection of essays, it examines Wiley's engagement with art history, his critique of power structures, and his representation of Black identity within classical artistic traditions. The volume serves as a critical companion to his exhibitions, offering scholarly insights into his evolving body of work.

This catalogue is regarded as a significant scholarly resource for understanding Kehinde Wiley's early career and artistic philosophy. The essays provide critical context for his groundbreaking approach to portraiture, highlighting his engagement with historical art and his contemporary relevance. It is recognized for its insightful analysis of themes central to Wiley's work, including race, class, and representation. The collection offers a valuable perspective for both art historians and enthusiasts interested in contemporary Black art.