Author Description

Architecture in medieval Europe made use of a variety of art forms. In these buildings—most notably in churches—architecture, painting, sculpture, stained glass, and more, came together harmoniously to produce a coherent whole. These artshave continued, or have been revived variously over the centuries far beyond the confines of Europe. This demonstrates that, aside from tangible visual and material culture, the legacy of the Middle Ages likewise consists of a tradition of comprehensiveteaching and learning that has been carefully handed down and studied throughout the ages.As such, this book acts as a fitting tribute to Professor Malcolm Thurlby (1948 –) of York University, Toronto, who has exemplified these principles throughout his career, in education as well as in each of the dual spheres of research of visual culture in the medieval and modern worlds. The authors in this book therefore examine not only medieval topics, but also more recent interpretations of these practices, principles, and lessons across the globe, from the nineteenth century through to the present day. Offered in honour of a distinguished scholar, educator, colleague, mentor, and friend, this book explores this ongoing medieval legacy.With contributions from: Jennifer S. Alexander, Ron Baxter, Candice M.P. Bogdanski, Shirley Ann Brown, Richard Bryant, Peter Coffman, Richard Fawcett, Eric Fernie, Michael Hare, Stuart Harrison, Candace Iron, Harold Kalman, Jessica Mace, Barry Magrill, Dominic Marner, Hugh G. McCague, Luc Noppen, John Osborne, Matthew M. Reeve, Jamie S. Scott, Roger Stalley, and Richard A. Sundt.