This book explores the tradition of the artist as curator, examining how contemporary artists engage with the act of selection and presentation. Ricky Swallow, an established artist himself, was invited to curate an exhibition, and this publication documents that process. It delves into the conceptual underpinnings of such an endeavor, showcasing how an artist's unique perspective can shape the narrative and experience of an art show, moving beyond traditional curatorial roles.

The book serves as a record of a specific curatorial project undertaken by Ricky Swallow, offering a unique perspective on exhibition-making from an artist's viewpoint. The premise suggests an examination of how artistic intent translates into the organization and display of other artists' works. It likely appeals to those interested in contemporary art theory, curatorial studies, and the intersection of artistic practice and exhibition.