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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1849. Excerpt:... nave since scarcely ever obtained. Men of genius felt this respect paid to their works, if denied too often to themselves; and thus to their own devotion was added a kind of ministerial importance. Their work became a duty, and was very frequently prosecuted as such by the inmates of monasteries. Besides their works on a large scale, upon the walls and in their cloisters, the ornamenting and illustrating missals embodied a religious feeling, if in some degree peculiar to the condition of the workers, of a vital form and beauty. Treasures of this kind there are beyond number; but they have been hidden treasures for ages. A Protestant contempt for their legends has persecuted, with long hatred, and subsequent long indifference, the art which glorified them. And now that we awake from this dull state, and begin to estimate the poetry of religious art, we stand before the noblest productions amazed and ignorant, and looking for interpreters, and lose the opportunity of enjoyment in the inquiry. Art is too valuable for all it gives, to allow this entire ignorance of the subjects of its favorite treatment. If, for the better understanding of heathen art, an acquaintance with classical literature is thought to be a worthy attainment, the excellence of what we may term Christian art surely renders it of importance that we should know something about the subjects of which it treats. The inquiry will repay ua also in other respects, as well as with regard to taste. If we would know ourselves, it is well to »ee the workings of the human mind, under its every phase, its every condition. And in such a study we shall be gratified, perhaps unexpectedly, to find the good and the beautiful still shining through the obscurity of many errors, predominant and influentia...