
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea,” writes John Updike in his Foreword this to this collection of literary considerations. But the sailor doth protest too much: This collection begins somewhere near deep water, with a flotilla of short fiction, humor pieces, and personal essays, and even the least of the reviews here—those that “come about and draw even closer to the land with another nine-point quotation”—are distinguished by a novelist’s style, insight, and accuracy, not just surface sparkle. Indeed, as James Atlas commented, the most substantial critical articles, on Melville, Hawthorne, and Whitman, go out as far as Updike’s fiction: They are “the sort of ambitious scholarly reappraisal not seen in this country since the death of Edmund Wilson.” With Hugging the Shore, Michiko Kakutani wrote, Updike established himself “as a major and enduring critical voice; indeed, as the pre-eminent critic of his generation.”
This collection investigates the intersection of creative prose and analytical criticism, questioning whether the act of reviewing literature can possess the same depth and artistic merit as original fiction. John Updike, a pre-eminent novelist and critic, utilizes his extensive background in American letters to examine a vast array of authors and cultural phenomena. He argues that the critical essay, when executed with the precision of a novelist, serves as a vital extension of the literary landscape rather than a mere secondary observation.
What You Will Find
Scope Limits
Critics and scholars frequently cite this work as a foundational text that solidified Updike's reputation as a major critical voice of his generation. Readers often note the high density of the prose and the sophisticated analytical rigor applied to both classic and contemporary authors.
Page Count:
944
Publication Date:
1985-01-01
Publisher:
King Penguin
ISBN-10:
0140076484
ISBN-13:
9780140076486
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