
The second edition of Frederick Ashton's Ballets: Style, Performance, Choreography adds two further ballets to this ground-breaking study of Frederick Ashton's choreography. It not only examines the contribution these ballets made to twentieth century dance art, but also presents a detailed account of Ashton's work and dances, demonstrating his remarkable choreographic and artistic talent. Having danced with the Royal Ballet Company during the years Ashton was Director, author, Geraldine Morris also draws on her years as an academic in the field.As well as highlighting the dances, the book explores the contribution made by Ashton's collaborators, both designers and musicians. Central is the issue of identity and how style can be retained in dance, despite alterations in training. It considers the problem of how the values of ballet training change, thereby affecting contemporary performances of his works. Through eight works Morris examines the various sources that Ashton used, whether they were dances with words, or those influenced by dancers' movement style, jazz dance, abstraction, mysticism, or narrative. With this new material, the second edition makes a significant contribution to dance scholarship.
This work investigates how the choreographic identity and stylistic integrity of Frederick Ashton’s ballets are preserved or altered through the evolution of dance training and performance practices. Geraldine Morris, a former dancer with the Royal Ballet during Ashton’s tenure as Director and a current academic, utilizes her dual perspective to analyze the technical and artistic nuances of his repertoire. The text argues that understanding the collaborative relationships between choreographer, designer, and musician is essential to maintaining the authenticity of Ashton’s twentieth-century dance legacy.
What You Will Find
Experts recognize this text as a significant contribution to dance scholarship, particularly for its integration of practical performance experience with academic rigor. Readers frequently note the density of the prose, which provides a specialized look at the mechanics of twentieth-century choreography.
Page Count:
304
Publication Date:
2024-11-22
Publisher:
Oxford University Press
ISBN-10:
0197747116
ISBN-13:
9780197747117
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