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The First In-depth Study In Almost Half A Century Of Robert Schumann's Multi-movement Leipzig Chamber Works, This Book Offers Novel And Diverse Encounters With The Three Op. 41 String Quartets, The Op. 44 Piano Quintet, And The Op. 47 Piano Quartet. The Volume Adopts A Two-pronged Approach, Exploring The Reception Of This Music From Both Composer- And Listener-oriented Perspectives. On The One Hand, It Shows How This Repertory Illuminates Schumann's Response To Certain Past And Contemporary Composers; To His Own Youthful, Experimental Past; And To Various Literary And Cultural Influences. At The Same Time, The Book Explores How Different People Have Heard This Music: Listeners In Schumann's Own Day And Beyond, In Both Germanic And Non-germanic Regions, And Comprising The Voices Of Critics, Performers, Audiences, Even Figures In Disciplines Outside Of Music. Julie Hedges Brown. Includes Bibliographical References And Index.
This volume investigates the historical and aesthetic significance of Robert Schumann's chamber music compositions written during his Leipzig period. Author Julie Hedges Brown provides a rigorous examination of the Op. 41 string quartets, the Op. 44 piano quintet, and the Op. 47 piano quartet. By synthesizing composer-oriented analysis with listener-oriented reception history, the book argues that these works serve as a critical nexus for understanding Schumann's creative evolution and his dialogue with both past masters and contemporary cultural currents.
What You Will Find
Scholars and musicologists recognize this work as a significant contribution to the field, filling a long-standing gap in the literature regarding Schumann's chamber output. Readers frequently note the academic density of the prose, which makes it a foundational text for advanced students and researchers of nineteenth-century music.
Page Count:
0
Publication Date:
1900-01-01
Publisher:
Oxford University Press,
ISBN-10:
0197749496
ISBN-13:
9780197749494
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