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The Marvelous Illusion: Morton Feldman's The Viola In My Life 1-4 Constitutes A Detailed Study Of Four Of Feldman's Works Composed Between 1970-71. These Compositions Are Analyzed From Multiple Perspectives Including Those Of Pitch/interval, Time And Tone Color. Framing The Analytical Study Of These Works Is A Discussion Of Feldman's Aesthetic Position Vis-à-vis His Contemporaries, Both Those With Similar Perspectives, As Well As Those Whose Work Represented A Very Different Aesthetic Viewpoint. Feldman Was A Member Of The So-called New York School Of Composers That Included John Cage, Christian Wolff And Earle Brown. The Book Contains An Exploration Of The Shared Interests Of These Composers. In Addition It Contains An Extensive Discussion Of Shared Concerns Among Those Composers And Members Of The New York Schools Of Painting And Poetry-- Provided By Publisher.
This book investigates the compositional techniques and aesthetic philosophy behind Morton Feldman’s four-part work, The Viola in My Life. Thomas DeLio, a scholar of contemporary music, utilizes a rigorous analytical framework to deconstruct Feldman’s approach to pitch, interval, duration, and timbre. By situating these works within the broader context of the New York School, the author argues that Feldman’s unique sonic language emerged from a specific intersection of avant-garde music, abstract expressionist painting, and experimental poetry.
What You Will Find
Experts recognize this text as a specialized resource for musicologists and students of 20th-century composition. Readers frequently note the technical density of the prose, which requires a foundational understanding of music theory to fully appreciate the analytical conclusions presented.
Page Count:
216
Publication Date:
2024-11-19
Publisher:
Oxford University Press
ISBN-10:
0197759920
ISBN-13:
9780197759929
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