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During The Last Few Decades, Most Cultural Critics Have Come To Agree That The Division Between High And Low Art Is An Artificial One, That Beethoven's Ninth And Blue Suede Shoes Are Equally Valuable As Cultural Texts. In Who Needs Classical Music?, Julian Johnson Challenges These Assumptions About The Relativism Of Cultural Judgements. The Author Maintains That Music Is More Than Just A Matter Of Taste: While Some Music Provides Entertainment, Or Serves As Background Noise, Other Music Claims To Function As Art. This Book Considers The Value Of Classical Music In Contemporary Society, Arguing That It Remains Distinctive Because It Works In Quite Different Ways To Most Of The Other Music That Surrounds Us. This Intellectually Sophisticated Yet Accessible Book Offers A New And Balanced Defense Of The Specific Values Of Classical Music In Contemporary Culture. Who Needs Classical Music? Will Stimulate Readers To Reflect On Their Own Investment (or Lack Of It) In Music And Art Of All Kinds.
Does classical music possess a unique cultural and aesthetic value that distinguishes it from other forms of popular music? Julian Johnson, a scholar of musicology, examines the contemporary tendency to flatten cultural hierarchies. He argues that while all music serves various social functions, classical music operates through a distinct cognitive and structural framework that warrants its continued preservation and study in modern society.
What You Will Find
Critics and musicologists frequently cite this text as a provocative contribution to the debate over cultural elitism versus egalitarianism. Readers often note the author's ability to balance rigorous philosophical inquiry with accessible prose, making it a standard reference for those interested in the sociology of music.
Page Count:
152
Publication Date:
2007-01-01
Publisher:
Oxford University Press
ISBN-10:
0198033559
ISBN-13:
9780198033554
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