
While Derrida deconstructed Husserlian phenomenology, he undertook phenomena as a constructed form of appearance; but it's not in all the case that all appearance may have or presents the same pheno/photo-being-in-the-world form with respect to space-time-causation-absolute and photo-reflection/refraction relativity. It is found that necessity to introduce Absolute's supremeness & the effects of Einstein's Theory of Relativity as are the major determining factor-tools towards locating the Existentio Phenomenologistic loca-standi of any phenomenal reality of the universe. One may receive 'photovita' from a 'phenomena' in the form of Epoche-L reflective/refractive 'pheno-drops'; One may receive 'Photo-drops' in the form of 'Photo-syntagmatics' or 'Photo-vishown' but can't catch 'photo' atoms. It's uncertain & impossible like Heisenberg's atomic principle; as both the atomic criterias (photo and photo) fall under the same universal principle though varies from different disciplines. This way 'Concertology' launches as: The systematic study about photo-atomic determination of 'Phenomenology' by Deconcert Theory; presenting Pheno?Photo?Word?Art concerto with their respective-subjective value(s).
Page Count:
160
Publication Date:
2011-04-01
Publisher:
Cambridge Scholars Publisher
ISBN-10:
1443828564
ISBN-13:
9781443828567
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