This book investigates the evolution and impact of new media within the context of the Centre Pompidou's collection and exhibitions from 1965 to 2003. It examines the critical shifts in artistic practices and technological integration during this pivotal period. The authors draw upon extensive archival material and exhibition records to present a comprehensive overview of the Centre's engagement with emerging media forms. The work aims to contextualize these developments within broader art historical and technological trends.

This publication serves as a significant archival and analytical resource for understanding the Centre Pompidou's role in the development of new media art. Its detailed scope and focus on a specific historical period make it a valuable reference for scholars and curators in the field. The comprehensive approach suggests a text that is both informative and academically rigorous.