The book investigates the evolution and impact of electronic music in the late 20th century, examining its production, distribution, and cultural significance. It analyzes electronic music through its historical development, social context, and its relationship with visual art over the preceding decade. The work features interdisciplinary essays by prominent figures in the field, offering a comprehensive overview of the subject. The essays explore the 'otherness' of electronic music and its place within broader cultural landscapes.

This exhibition catalog and collection of essays offers a deep dive into the world of electronic music and its intersection with visual arts. The contributors, including well-regarded critics and academics like Simon Reynolds and Kodwo Eshun, provide a multifaceted perspective on the genre's development and cultural impact. The book is structured to account for the changing landscape of music production and distribution at the turn of the millennium. Its interdisciplinary approach and focus on the 'otherness' of electronic music make it a valuable resource for understanding contemporary sound and visual culture.