
The five volumes of A Shakespeare Music Catalogue provide scholarship with an invaluable reference tool: a comprehensive and detailed documentation of all music - published and unpublished, from Shakespeare's day to our own - in any way related to Shakespeare's life and work. No single work has ever before attempted to draw together such a mass of information, from all countries of the world, on this neglected aspect of Shakespeare's dramatic art and cultural influence.The music includes operas, ballets, overtures, tone-poems, songs, and various types of incidental music (for stage, radio, film, and television productions). Each composition is cited with information on its vocal and instrumental requirements, its publication history, and, when known, its first performance. The first three volumes deal with music and musical stage-directions for the plays (arranged alphabetically) and settings of the sonnets and narrative poems. The fourth volume contains indices: of Shakespeare's titles and lines, the titles of musical works, and composers, arrangers, editors, librettists, etc. The final volume provides a further, and unprecedented, research tool: a selected, annotated bibliography of writings, in all languages, on the subject of Shakespeare and music.For the first time, readers of the Catalogue will have ready access to the broad range of musical works inspired by Shakespeare and to the diversity of critical viewpoints they have provoked. Theatrical directors will be able to consult it for appropriate music; musicologists and cultural historians study the history of taste; literary scholars examine any play or plays from a thoroughly documented musical standpoint. The Catalogue brings together the work of many scholars in the field, and goes far beyond existing available data.
This volume serves as the inaugural entry in a comprehensive reference project designed to document the global history of music inspired by the works of William Shakespeare. Authors Bryan N. S. Gooch and David Thatcher compile an exhaustive record of musical compositions, ranging from the Elizabethan era to the modern day, that relate to Shakespeare's life and dramatic output. By aggregating data on operas, incidental music, and various instrumental settings, the authors provide a structured framework for scholars to analyze the intersection of literature and musical history. This research tool aims to bridge the gap between theatrical performance and musicology through meticulous documentation.
What You Will Find
Experts recognize this series as a foundational reference for musicologists and literary scholars investigating the cultural influence of Shakespearean drama. The text is noted for its high level of academic density and its utility as a primary research tool for those studying the history of musical taste.
Page Count:
790
Publication Date:
1991-07-18
Publisher:
Clarendon Press
ISBN-10:
0198129416
ISBN-13:
9780198129417
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