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This is the first book to offer a comprehensive survey of Italian Renaissance ideas on literary imitation, the key critical concept of the period. Covering both theory and practice, and both Latin and the vernacular, McLaughlin charts the development of the concept from the fourteenth to the early sixteenth century, offering fresh insights into major works of Italian literature from Dante to Bembo.
This work investigates the evolution and application of literary imitation as a foundational critical concept within Italian Renaissance intellectual life. Martin L. McLaughlin, an expert in Italian literature, synthesizes historical theory and creative practice to examine how writers navigated the tension between classical models and vernacular innovation. By analyzing both Latin and Italian texts, the author constructs a framework that explains how the concept of imitation shifted from the fourteenth century through the early sixteenth century.
What You Will Find
Scholars recognize this monograph as a foundational text for understanding the intellectual climate of the Italian Renaissance. Readers frequently note the academic density of the prose, which provides a rigorous analysis of how classical imitation shaped the development of modern Italian literature.
Page Count:
328
Publication Date:
1996-05-23
Publisher:
Clarendon Press
ISBN-10:
0198158998
ISBN-13:
9780198158998
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