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The music of the Estonian-born composer Arvo Part is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Part created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate and tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of Part, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of Part's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to Part's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.
This study investigates the evolution of Arvo Pärt's musical language, specifically the development and implementation of his signature 'tintinnabuli' style. Paul Hillier, a conductor and scholar with direct professional experience working alongside Pärt, provides a comprehensive analysis of the composer's trajectory. The book bridges the gap between Pärt's early serialist experiments and his later, more widely recognized minimalist works, grounding the discussion in the context of Russian Orthodox spirituality and historical musical influences.
What You Will Find
Experts and musicologists regard this text as a foundational resource for understanding Pärt's complex stylistic shifts. Readers frequently note the balance between technical musicological rigor and the accessible biographical narrative provided by the author.
Page Count:
240
Publication Date:
1997-06-19
Publisher:
Oxford University Press
ISBN-10:
0198165501
ISBN-13:
9780198165507
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