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Sir Arthur Bliss (1891-1975) was a leading figure in British music for five decades, and one of the foremost British composers to emerge after the First World War. His early works such as the symphony Morning Heroes, the ballet Checkmate, and the opera The Olympians show the influence of Stravinsky and the French group "Les Six." He gained prominence in the British musical establishment and was made Master of the Queen's Musick in 1953. Bliss was also a prolific writer of articles, reviews, lectures, and broadcasts, which provide a vivid commentary on twentieth-century music, the English Musical Renaissance in particular, and display the characteristic vigor and vitality in keeping with his enfant terrible image of the 1920s. Arranged chronologically with biographical lists, the material ranges from self-analysis to a consideration of the place of music in modern society, and this collection forms a valuable source for the study of his own music and the music of his contemporaries.
This collection investigates the evolution of twentieth-century British music through the critical lens and personal reflections of one of its most prominent composers. Arthur Bliss, who served as Master of the Queen's Musick, utilizes his extensive background as a composer and public figure to document the shifting landscape of the English Musical Renaissance. The text compiles a wide array of articles, lectures, and broadcasts to provide a primary source perspective on the intersection of artistic creation and modern societal demands.
What You Will Find
Experts identify this collection as a foundational resource for scholars studying the mid-twentieth-century British musical establishment. Readers frequently note the historical density of the prose, which offers a direct window into the professional life and aesthetic philosophy of a major composer.
Page Count:
304
Publication Date:
1991-07-18
Publisher:
Oxford University Press
ISBN-10:
0198162227
ISBN-13:
9780198162223
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