This collection investigates the current state and future trajectory of musicology by examining its interdisciplinary connections to various academic fields. Edited by David M. Greer, the volume compiles proceedings from the 16th International Congress of the International Musicological Society. It presents a series of scholarly arguments that position musicology not as an isolated discipline, but as a field deeply integrated with philosophy, mathematics, and the social sciences.

Experts recognize this volume as a significant archival record of late-20th-century musicological discourse. Scholars frequently note the academic density of the prose, which serves as a foundational reference for understanding the interdisciplinary shifts within the field during the 1990s.